Soprano Siobhan Stagg is one of the most exceptional young artists to have emerged from Australia in recent years. After graduating from the University of Melbourne, Siobhan began her career in the Salzburger Festspiele’s Young Singers Project and as a soloist at the Deutsche Oper Berlin.

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Siobhan has sung the title role in Cendrillon for the Lyric Opera of Chicago; Pamina and Susanna for the Royal Opera House Covent Garden; Sophie Der Rosenkavalier for the Opernhaus Zurich; Susanna for Komische Oper Berlin; Mélisande for Opera de Dijon and Australia's Victorian Opera (for which she received the Green Room Award for Best Female Lead in an Opera); Gilda, Blonde and Cordelia in Reimann’s Lear for the Hamburgische Staatsoper; Lady Magnesia and Najade Ariadne auf Naxos for the Bayerische Staatsoper; Blonde for the Dutch National Opera; staged performances of Mozart’s Requiem at the Festival d’Aix-en-Provence; Woglinde for the Deutsche Staatsoper and Morgana Alcina and Marzelline Fidelio for the Grand Théâtre de Genève.

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The 2024/25 sees Siobhan revisit important relationships with major orchestras such as the London Symphony Orchestra, Gürzenich Orchester Köln, Müncher Rundfunkorchester, Tasmanian Symphony and Aalborg Symphony.  Other concert highlights include her debut with Toronto Symphony, Hong Kong Philharmonic, Orchestre national du Capitole de Toulouse, Orquesta y Coro de Radio Televisión Española and Freiburger Barockorchester.
 

Upcoming opera engagements of the coming season include Idomeneo on tour with Helsinki Baroque Orchestra, Angelica Orlando in the new production at the Théatre du Châtelet Paris, a revival of Lady Magnesia at the Bayerische Staatsoper as well as her role debut of Despina Così fan tutte and a new opera Dark Side of the Moon by Unsuk Chin for the Hamburgische Staatsoper.

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Siobhan became a Director of the Melba Opera Trust Board in October 2020, their first scholarship alumna to be appointed, and the first International Director.​​